ʻO Giovanni F. Akola, Franco Cardini, Domenico Del Niro, Giordano Bruno Gehry, Gennaro Margiri, Gennaro San Giuliano, Mirella Seri, Marcelo Veneziani.
Ma waena o ka moʻolelo, ʻatikala a me ka hoʻomanaʻo ʻana ka puke na Christopher Ross, The Sword of Mishima (Guanda, 281 ʻaoʻao, 17.00 euros) i hoʻohana ʻia no kāna ʻano koʻikoʻi. He puke hoihoi a, i kekahi manawa, hoʻomāinoino ʻia, enigmatic a ʻaʻole me ka ʻole o ka puke hoʻohiwahiwa, e hōʻike ana i ka wā lōʻihi i ke ola ʻana o ka Mishimian i nā palapala a me nā manaʻo o kēia wā a mai ka de ingounsi,ondo. ʻO ka mea i koe e hana ai me Mishima, ʻo ia kāna hana hope loa, i hana ʻia ma Nowemapa 25, 1970, kokoke i kahi mea kākau moʻokalaleo ma mua o ka noho ʻana a me ka politika: ka sp. ana i manao ai e hoomanao i kona aina i na poino o ka nalowale ana o na moolelo kahiko, i ka manao hohonu o ka hihio o ke ola e nalowale ana kona mau hoa.
ʻO Maria Teresa Orsi, i ka hoʻolauna ʻana i ka leo Meridiani, ʻoiaʻiʻo, ʻōlelo ʻo Mishima me ka hilahila ʻole ʻo Mishima "e hōʻike ana i ka moʻomeheu Iapana ʻoiaʻiʻo loa". Akā i ka manawa like, ʻike ʻo ia ʻo ia nō ka mea kākau hou loa o kona ʻāina, a ma mua o ka puka ʻana o ka hōkū o Oe Kenzaburo, ua hiki iā ia ke hoʻokuʻikahi i kona ʻuhane hikina me ka assimilation hikina me ka assimilation hikina me ka ' hikina assimilation with the oriental assimilation with the assimilation of the cult a integral part of one's own Poetry Newspaper».
He kuʻikahi? Ma ka helehelena wale no. ʻO ka ʻoiaʻiʻo, ʻo ka manaʻo maoli o ka nani, e like me ka mea i kahakaha ʻia e kāna mea kākau moʻolelo koʻikoʻi, a me kāna hoaaloha nui, ʻo Henry Scott Stokes (Life and Death of Yukio Mishima, ed. Lindau), nāna i mahi chefin et dalàprice, ʻoi aku ka analogous Emotional. ʻO ka makahiki ke kumu o ka moʻomeheu kahiko o Western, ʻoi aku ka Helene. A ʻo ia ke kumu e hiki ai iā Mishima ke noʻonoʻo iā ia iho he mea kākau o Two Worlds, unuhi ʻōlelo o kahi kuʻuna Universal, nona ke ʻano hiki ke hoʻomaopopo ʻia e ka poʻe ʻEulopa kahi āna i aʻo nui ai, ʻoiai ʻo "Raydel maeoneche Baufrequentman, Raydel a me Raydel an, Radel a me Friedrich Nietzsche. "ʻO ke Komohana - ua ʻike ʻo Orsi - he kelepona koke nō ia, e koi ana iā mākou e hana me ia, e ʻimi i ka nui o ka hiki ke kamaʻilio a hiki paha i ka ʻaelike." Hoʻokūpaʻa nā moʻolelo i kēia manaʻo. A, stylistically, pololei lākou no kēia kumu i manaʻo ʻia ai kekahi poʻe "hōʻino", nā mea hou o ka moʻolelo moʻokalaleo a hiki i ka wā i ʻike ʻia ai ʻo Mishima ma ke kahua, ua loaʻa ʻo Junikisunro Tanizaki lāua ʻo Yayaari Kawabata i kāna mau kuhikuhi.
ʻO ka "hōʻino" ʻē aʻe ʻo ia kona make manawaleʻa i nā makahiki he kanahākumamālima, he makahiki lūlū no nā poʻe ʻē aʻe, nona ka manawa o ka ʻohi ʻai ʻoi loa a me ka paradoxically ʻawaʻawa: ua hana mua ʻo ia i nā mea a pau, ʻaʻole ʻo ia i ʻike i nā mea ʻē aʻe i hope i , kūpono i ke aloha i ka moʻomeheu o kona ʻāina a me ka pili loa me nā mea āna i kākoʻo ai ma kāna mau palapala a pau. ʻAʻole ia he mea maʻamau ma mua o ka lawe ʻana i kona ola ponoʻī i kēlā kakahiaka hoʻokahi, ua hoʻouna ʻo ia i kāna mea hoʻopuka i ka ʻāpana hope loa o ka Sea of Fertility tetralogy: ʻoi aku ma mua o kahi moʻolelo maʻamau, he berita.
ʻO ke ola ʻuhane a me ka moʻolelo o Mishima i hui pū me ke ʻano o ka moʻomeheu Iapana, i kekahi manawa, e like me ka mea i ʻōlelo ʻia, ua hele ʻia e nā manaʻo Western. Ma Iapana, ua kuhikuhi ka mea kākau i kāna mau hoa kamaʻilio, ua ʻoi aku ka nui o ka manaʻo i ka ʻoihana, i hōʻailona ʻia e ke kiʻi o ka chrysanthemum, ma mua o nā ʻano koa i hōʻike ʻia e ka pahi kaua. ʻO kēia ka mea i hoʻokaʻawale ʻia ma muli o ka ʻike ʻole o ka poʻe o kēia wā i ka moʻomeheu Iapana i hoʻokumu ʻia ma luna o ka "hana mana" o nā manawa ʻelua. Ua hoʻomaka ʻo Mishima e hoʻōla i kēia mokuā. A hoʻomaka koke ʻo ia, i ka iwakālua o kona mau makahiki, i ka loaʻa ʻana o ka hoʻolaʻa palapala i kona wā liʻiliʻi ma mua o ke keikikāne. ʻO Confessions of a Mask (1949) ka mea i ʻike ʻia ʻo ia he hōkū e piʻi aʻe ana o nā palapala Iapana: "He hana nui o ka ʻeha a ma ka manawa like o ka atony", wahi a Margherite Yourcenar. ʻO ka moʻolelo ka autobiography o ke kūlana o ka manaʻo o kahi hanauna i hoʻopiha ʻia e ka makemake nui no ka hoʻopau ʻana a ma ka manawa like ʻole e ka eroticism ʻoluʻolu ʻole. ʻO ka synthesis, i ka pōkole, ʻo ka ʻoihana ponoʻī a Mishima nāna i hoʻokō i ke aloha a me ka make i ke ʻano o ka nani pilikino.
A laila hele mai nā hana ʻē aʻe, e like me ka makewai i ke aloha, nā kala kapu, ka leo o nā nalu, ka hale gula. I nā nihilism a me ka hoʻomana hope ʻelua, ka manaʻo nui o ke ola, ka hoʻokiʻekiʻe ʻana o ka nani a me ke ʻano o ka hoʻomaʻemaʻe ʻana he mau kumu e alualu ai kekahi i kekahi a hōʻike i kahi ʻuhane hoʻomaha ʻole e kuhikuhi ana i kona ala i kahi Destiny, kona ala i kahi Destiny of the Tradiché racco rest. , kona ala e hele ai i kahi Destiny of Tradition, ʻo ia hoʻi, Tradisia, i ka hoʻomanaʻo nani o ka lāhui, ka mea kākau a i ʻole ke koa? Aia ka nīnau ma ka huli ʻana o ke ola o Mishima.
A hiki i ka makahiki 1960, ua pani ʻo ia i ka "pilikia o nā waiwai" i loko o ka hui Iapana e nalowale ana kona ʻuhane. ʻAʻole ʻike hou ʻo Iapana iā ia iho, ua laha ka palaho o nā kuʻuna, ʻaʻole i mālama ʻia nā kumu ʻuhane. I loko o kēia ʻano, ua hoʻokumu ʻia ka moʻolelo After the Banquet, kahi i hōʻailona ai i ke komo ʻana o Mishima i loko o ka politika. Me kēia puke, ʻoiaʻiʻo, ua hoʻomāinoino ka mea kākau i ke kālepa lio koho i komo ai ka poʻe kālaiʻāina a me nā loina o ka papa waena o luna. ʻO ka kūleʻa i loaʻa iā ia i uku hapa iā Mishima no ka fiasco o kekahi mau hana ma mua a ua hōʻoiaʻiʻo iā ia ua loli kekahi mea ma kona ʻāina. No laila, hoʻomaka ʻo ia e nānā pono i waho iā ia iho, e ʻike ana i kahi honua i ka huhū wela, i hele ʻia e nā aferences e hōʻike ana i ka makemake e lanakila ma hope o ke kaua i hoʻokahi manawa.
Me ke kāhāhā, ua ʻike ʻo Mishima e kū ana kekahi manaʻo ma Iapana e kūʻē ana i kēlā ʻāpana o ke Kumukānāwai e koi ana i ka ʻāina e haʻalele i kāna mau kuleana koa. ʻO ke kū'ē i kokoke i ke kipi, i ka Mei 1960, ua hoʻopau ʻia ke Kuikahi Kepani-ʻAmelika ʻAmelika ʻaʻole i ʻae i ka hui pū ʻana o ka pūʻali koa ma waena o nā makani ʻAmelika ʻelua, akā ua ʻae ʻia ka makahiki koa i ka USA a hōʻoia i ka haʻalele ʻana i kēlā me kēia hana kaua. . Ma ke kūʻai aku, ua hoʻohiki ʻo ʻAmelika e hāʻawi iā Iapana me ka pale kaua. Nui ka poʻe Kepanī i pane me ka Soviet i ke kau inoa ʻana o ke Kuʻikahi: ua ulu nā haunaele ma ka ʻāina. Aia o Mishima me ka poe hoohaunaele.
ʻO nā haunaele i hoʻoulu i kona manaʻo a koi iā ia e kākau i ka Patriotism, kekahi o kāna mau moʻolelo maikaʻi loa a kūleʻa, kahi a Bushido aesthetics a me nā loina, i hui pū ʻia me ka sensualism a me ka strapiffin a me ka holomua eroticism a me ka luina, ke hahau nei iā mākou i kēia lā no ka nani a me nā kikoʻī. nā mea e hoʻokuʻu i ke ʻano o ka heroism maoli. Ua hoʻoulu ʻia ka manaʻo aloha ʻāina e ka hanana Ni Ni Roku o Pepeluali 26, 1936, i ka wā i hoʻomākaukau ai ka neʻe ʻana o nā luna ʻōpio i ke kipi ʻana o kekahi hapa o ka pūʻali koa e kūʻē i ka ʻōnaehana ma lalo o ka pono o; ka wā kipi Imperial restaruzione erae , he ʻano «conservative revolution». He iwakālua mau luna ʻōpio i noho ma ka ʻāpana o nā Kuhina e pili ana i ka Hale Aliʻi Imperial a noi aku i ka haʻalele ʻana o ka Governmento Thinking a me ka hoʻopunipuni me ka hoʻopiʻi ʻana i nā mana koa āpau e ka mōʻī.
Ua hōʻole ʻia ka ʻōlelo hoʻolaha e Hiro Hito, me ka manaʻo ʻole, no ka mea, ua ʻōlelo ʻia, ua hele mai ia mai nā pōʻai hoʻokele waiwai like ʻole a nā luna ʻōpio i hana ai i kā lākou hoʻokahuli nāwaliwali. Ua kauoha pū ka Emepera i ka pūʻali e hoʻopau i ke kipi. Ua hauʻoli ʻo Mishima i ka moʻolelo ma hope o kona waiho ʻana i ka moʻolelo o ka protagonist o Patriotism, he ʻōpio lieutenant o ka Imperial Guard, he hoaaloha o ka poʻe kipi, akā mālama ʻia ʻo ia i ka pōʻeleʻele e pili ana i ka manaʻo no ka mea ua mālama ʻo ia. liʻiliʻi e pili ana i ka manaʻo no ka mea no kona minamina nui ʻana ua makemake ʻo ia e mālama i kona ola a me kāna wahine me ia.
Ua alualu hou ka Erotica, ka heroism a me ka make. ʻO nā moʻolelo ʻē aʻe kahi i hoʻokiʻekiʻe ai ka mea kākau i nā waiwai patriotic a me ka nani i ke kiʻekiʻe kiʻekiʻe he ʻāpana o ke ʻano like, e like me The Chrysanthemum of the Tenth Day and, ma luna o nā mea āpau, The Voices of the Spirits of Heroes. Ma ka Mishima ʻelua e wehewehe ana i kahi hanana Shinto noʻonoʻo kahi e hoʻomanaʻo ʻia ai nā ʻuhane o nā luna ʻōpio o ka hoʻokahuli aupuni i hāʻule ʻole a me nā poʻe hoʻomake pepehi kanaka. Hoʻohewa kekahi i ka Emepera no ka hōʻole ʻana i kā lākou kipi; ʻO kekahi poʻe i kumakaia i ko lākou manaʻoʻiʻo a me kā lākou mōhai i kona ʻae ʻana i ka Ningen Sengen, ka haʻi ʻana o ka haʻalele ʻana i kona ʻano akua. Ma kahi nīnauele i hāʻawi ʻia ma mua o ka pepehi ʻana iā ia iho i ka mea kākau komunista Furubayashi Takasashi, ua ʻōlelo ʻo Mishima: "Ke manaʻo nei au e ʻimi pū ana nā kānaka i ka Absolute. Manaʻo wau ʻaʻole hiki ke māʻona i nā mea relativistic wale nō. E nānā kākou i ka moʻolelo Kepani a ua like me kēia. Ke ola nei ʻo Iapana i kēia lā i ka relativism maikaʻi loa, akā he mea hou loa kēia, ʻoi aku ka lōʻihi ma kahi o ʻumi makahiki. Inā mākou e hoʻohālikelike i ko mākou moʻolelo lōʻihi, he manawa pōkole loa ia. A ʻaʻole i ʻoluʻolu ke ʻano o kēia relativism. No laila, i kēia lā ke ulu nui nei ka hoihoi i ka ʻepekema, Buddhism, ʻaʻole ia he mea ʻē aʻe ma mua o ka manaʻo i ka Absolute. ʻAʻole au i manaʻoʻiʻo e hiki i ka poʻe Kepani ke hoʻomāʻona iā lākou iho me ka hauʻoli o ka relativism."
ʻAʻole hoʻohaʻahaʻa ʻia ʻo Mishima i ka hiki o ka relativism e hoʻopau i ka ʻuhane i ka poʻe. No laila kona manaʻoʻiʻo i ka moʻomeheu, a ma nā palapala, hiki ke hoʻāla hou i nā ʻano o "Japaneseness" alakaʻi iā ia e hoʻoikaika i ka waiwai ethically-building o Tradition i ka wā Bushidoella ua i segendo ho'āʻo, re-proposing Bushidoella ua i segendo, hou noi i loko o ka aia i loko o kona ʻano: Jamamoto Jocho's Hagakure. Akā, hāʻawi pū i ke ola i ka Hui Shield (Tate no Kai) i hoʻoulu ʻia e ka manaʻo ʻuhane, aloha ʻāina a me ke koa o ka moʻomeheu Iapana.
Ma waena o 1965 a me 1970, ua hoʻopili maikaʻi ʻo Mishima i ka hōʻike ʻana o ke koena ma waena o ka Chrysanthemum a me ka Sword i kāna mea kākau moʻolelo, The Sea of Fertility, kahi tetralogy ma ka hui Iapana, nā mea no ka ʻuhane kūpono. ʻO nā moʻolelo ʻehā o ka pōʻai - Spring Snow, Runaway Horses, The Temple of Dawn, The Decaying Angel - hōʻike i ka manaʻo o ka reincarnation. Akā i ka lua o ka puke o ka tetralogy, Horses on the Run, ua hōʻike ʻo Mishima i kāna mau manaʻo politika a me ka hoʻomana me nā ʻōlelo hoʻohālikelike maikaʻi loa a me ke ʻano ʻālohilohi, e kau hou ana iā lākou e kūʻē i ke kua o
I ka pau ana o kona hookele ana, ua loaa ia Mishima ke Kai Nui e holo pu ai oia me na uhane lehulehu o Iapana ana i ola ai ma kana hana palapala. ʻO ka ʻoiaʻiʻo, aia ka lehulehu i ʻike ʻole ʻia ma Nowemapa 25, 1970 "E ola ka Emepera": Tenno heika banzai! ʻO kahi mea i ʻoi aku ma mua o ka hoʻohanohano maʻamau. Aneane pule.
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Aloha ʻoe, ua pilikia ko kākou honua a me nā kānaka! Pono ʻoe e ʻaʻahu i ka mask ke hele ʻoe i waho a holoi pinepine i kou mau lima! ʻO kēia kekahi o nā ala maikaʻi loa e hakakā ai i ka maʻi COVID e pale aku i ka maʻi ma ke kaiāulu, a ʻo ia hoʻi ke ʻano o ka hoʻoponopono ʻana o nā ʻāina ʻo Asia i ka hoʻolaha ʻana o kēia maʻi nui. Mai hoʻolimalima i kekahi mau hola ma ka lehulehu e kūʻai i nā masks, ʻo ia hoʻi ke ʻike ʻia ʻoe i nā mea lawe maʻi virus. Hāʻawi mākou i nā masks lapaʻau ʻae ʻia e ka EU i ʻae ʻia e Nelson Laboratories e hoʻokō i nā koi EN14683: 2005 Type II. Hoʻopili ʻia e ka hoʻolako ʻana i nā mea maka, ʻoi aku ka nui o ke kumukūʻai ma mua o ke kumu kūʻai maʻamau a ke loli mau nei. E ʻoluʻolu e kipa i kā mākou loulou kauoha ma lalo nei e aʻo e pili ana i nā kumukūʻai o kēia manawa a me nā lako i loaʻa. Inā hiki, e hāʻawi mākou i ka hopena E-express i nā ʻāina e hiki mai ana * a i ʻole airmail no nā ʻāina ʻē aʻe i ka lā hoʻokahi. Welina mai e hoʻouna mai iā mākou i nā nīnau kauoha nui: www.bfemask.com info@bfemask.com Ua ʻike mākou iā SARS, a i kēia manawa e ʻike maoli mākou i ka maʻi maʻi coronary hou. E like me ka poʻe ʻAsia, Hong Kong, Taiwan, South Korea, a me Iapana i hoʻopaʻa i nā hana hoʻomaʻemaʻe pilikino, ua ʻoi aku ka nui o nā maʻi ma mua o ke kiʻekiʻe kiʻekiʻe, a ua kāohi ʻia nā pests. E mālama, mahalo ke Akua i nā mea a pau! Laki maikaʻi nā mea a pau, e Matthew, mai Hong Kong
ʻO Florence, ʻekolu lā o nā mele nui no ka Auditorium del Maggio hou. ʻO ka Pelekikena o ka Repubalika Mattarella a me ka Pelekikena o ka Senate Casellati e noho ma ka lumi i ka Poalua.
He mohala ma ke kahua: lele ʻo Elena Sofia Ricci lāua ʻo Gabriele Anagni i ka Pergola me Tennesse Williams
palapala ʻae a ke Kuhina Kūkākūkā n. 1127 o 29/8/2001 (National Press Reg.: n. 2571 o 03/4/1989)
Ua hoʻopaʻa inoa ʻia ʻo Totalità.it ma ka ʻaha o Florence, Registration no. 5875 o 16 Mei 2012
Ka manawa hoʻouna: Dec-20-2021
